Ricki and the Flash Movie Review

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Meryl Streep’s latest is not her greatest, but she is, as usual, a joy to watch. In Ricki and the Flash, Streep stars as a former housewife who left her husband Pete (Kevin Kline) and children Julie, Josh, and Adam to pursue dreams of rock stardom. Years later, her children are grown, her husband is remarried, and she’s making ends meet by working as a grocery store clerk while singing in bars with her boyfriend Greg (Rick Springfield) and their cover band The Flash. Then Julie (Streep’s real-life daughter Mamie Gummer) attempts to commit suicide following a divorce, and Pete calls her home to try and help.

The acting was really top notch throughout. You expect excellence from actors like Streep and Kline, but I was pleasantly surprised by how well Mamie Gummer and Rick Springfield held their own, having expected them to be overshadowed by the famous pair at the top of the billings. The other standout in the cast was Audra McDonald as Maureen, Pete’s new wife and the children’s second mother. She had an outstanding confrontation with Ricki that was probably the single best acted scene in the film.

On the other hand, Sebastian Stan (of the Captain America films) and Nick Westrate (of TURN: Washington’s Spies) were both underutilized as Ricki’s sons Josh and Adam, respectively. I’m admittedly a fan of Sebastian, but I would have liked to see a little more of his character in particular. Of the three kids, he was outwardly the least embittered, but I did not get the impression that Julie was lying when she said he didn’t want Ricki at his wedding, so it might have been interesting to see that tension explored a little more. I couldn’t get a great handle on Josh’s fiancee Emily (Hailey Gates) either. She was clearly intensely uncomfortable with Ricki’s sudden arrival in her life, but I couldn’t tell if some of her behavior at the wedding was supposed to be discomfort or an alarming slide into Bridezilla-ness.

Written by Diablo Cody of Juno fame, there was lots of clever and snappy dialogue (fortunately it was also, for the most part, less precious than Juno‘s) and lots of laugh out loud moments despite the heavy themes the film touches on. I thought it handled the heavy issues regarding regrets, absentee parents, and abandonment issues relatively well for most of the film. Greg had an especially good line: “It doesn’t matter if your kids love you or not. It’s not their job to love you, it’s your job to love them!” However, I thought the ending felt too pat and simplistic. I suppose it was supposed to be some sort of “music brings people together” message, which may be true, but also sits a little uncomfortably in a film about a family literally torn apart by music.

Speaking of music, the soundtrack is a fantastic mix of classic rock and more modern hits, though I have to say I was disappointed when the film cut away from Streep’s rendition of Lady Gaga’s “Bad Romance” about 30 seconds in. (The full version is available on the film’s soundtrack.)

Overall, an enjoyable film, but not as memorable as it should have been, given its cast.

My rating: (3 / 5)

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