A Royal Affair Movie Review

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Winston Churchill once said, “It has been said that democracy is the worst form of government except for all those other forms that have been tried.” A Royal Affair is the sort of movie that reminds you how right he was.

As frustrating as democracy can sometimes be, imagine what it might be like to try and enact any sort of meaningful reform or change in a country ruled by a king who is weak-willed, unstable, and quite possibly insane. Add in entrenched conservative interests such as a powerful Church and aristocracy, and an uneducated and superstitious populace, and you have the unenviable task taken on by Johann Struensee, an ambitious but idealistic commoner who rose to become the de facto regent of Denmark after becoming the personal physician of King Christian VII. Along the way, Struensee also become the lover of Christian’s queen, Caroline Matilda of Great Britain (sister of the hapless King George III, who had his own share of mental problems later in life), which proved the catalyst for his ultimate downfall.

Speaking of helpful reminders, this film is also a pretty good reminder of how much life sucked for the average princess, historically. Caroline is shipped off to a foreign country at the age of 15, her friends and family taken from her, even her beloved books sent back to England due to Denmark’s harsh censorship laws. Married to the aforementioned unstable and possibly insane king, she is all but raped on her wedding night, gives birth at the age of 16, and is left neglected and bored in the palace while he goes off for tours of Europe and wild nights with prostitutes. One can hardly blame her for seeking solace in Struensee’s arms, but the laws of her own time were not so forgiving.

The story of their doomed romance and efforts at reform is beautifully shot, sumptuously costumed (especially given the film’s relatively small budget), and very well acted. Mads Mikkelsen as Struensee and Alicia Vikander as Caroline Matilda have good chemistry together and really make you feel for both characters. I was also impressed by the performance of Mikkel Boe Følsgaard as the unstable but well-meaning Christian. Christian and Struensee’s relationship lacked the UST of Caroline and Struensee’s, but was more complex and ultimately more interesting. It was as sad to watch their friendship fall apart as the more dramatic and involuntary severing of Caroline and Struensee’s relationship.

One minor disappointment – if Wikipedia is to be believed, the real Caroline had a penchant for wearing men’s clothes in public, which scandalized the nation as much as, if not more than, her affair with Streunsee. Although Struensee encourages the film Caroline to ride astride, rather than sidesaddle, there’s no other indication of her cross-dressing habit, which is a pity, really. The real Christian was also notable for affairs with young men, though his most long-lasting and famous extramarital liaison was with a female prostitute.

Despite these and some other emissions and changes, the film overall seems unusually historically accurate for a movie (readers with more extensive knowledge of Danish history are welcome to correct me if this impression is incorrect), yet its accuracy comes without sacrificing good storytelling. Highly recommended.

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My rating: (4 / 5)

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