Mad Max: Fury Road Movie Review

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Note: This review contains spoilers.

Wowie zowie, counting Cinderella and Age of Ultron, I’ve now seen THREE movies in theaters this year, which may be more than I’ve seen in the previous three years combined. It’s tough getting to the theater when you have a toddler and no babysitter! However, now that he’s in daycare three days a week it’s a lot easier, even though I still feel kind of weird going to the movies in the morning.

Cinderella was a treat for my daughter and Age of Ultron went without saying, thanks to my current Marvel obsession, but Mad Max: Fury Road I went to see for political reasons. I’ve never seen the original Mad Max or either of its other sequels and the trailers for the current sequel/reboot looked weird in a way that was off-putting to me, so before its release I really had no intention of seeing it at all, let alone shelling out seven bucks to see it in theaters. But then the film opened, and people started saying stuff like this about it:

I didn’t expect to see the best female character in an action movie I’ve seen in over a decade.


the heroic characters in fury road are literally–LITERALLY, I’M NOT IN ANY WAY EXAGGERATING–fifteen women and tom hardy. i can’t believe this is a movie i saw with my eyes in the year of our lord 2015.


The most violent death in the movie was the death of the Bechdel Test, which they dragged behind the car the entire time.


The whole movie is about a group of women fleeing toxic patriarchy only to realize that the only way to escape is to topple that system.


I like to vote with my pocketbook for stuff, and better female representation in film (especially action and sff) is something I feel pretty strongly about, so clearly I needed to re-evaluate my previous stance on seeing the film!

In fact, Hollywood, I’m going to say this explicitly, just to be sure I’m not misunderstood: I decided to spend $7 bucks to see Mad Max: Fury Road in theaters despite originally having almost zero interest in it because you gave us a movie with a badass female lead who was never sexualized or thrust into an unnecessary romance or love triangle, as well as so many supporting female characters that the Bechdel Test became completely irrelevant. Thank you. I honestly didn’t think you had it in you.

Though I wouldn’t describe Mad Max: Fury Road as groundbreakingly feminist, it hit a lot of feminist notes dead-on in a way that threw many other films and TV shows into kind of stark relief for how much worse they are. For example, one of the things that stood out to me, as someone currently trying to decide whether I want to continue watching Game of Thrones or not in light of its tone-deaf treatment of rape as a trope, was the fact that even though the film makes it 100% clear that the “wives” (several – possibly all? – of whom are pregnant by the revolting Immortan Joe) are escaping a life of sexual slavery and rape and will be subjected to more of the same if they return, their abuse is never shown onscreen and thus is never made titillating or voyeuristic in the way violence – especially sexualized violence – against women so often is in Game of Thrones and (to be fair) many, many other films and TV shows.

Moreover, although the women are treated as objects by Immortan Joe and the other male leaders of the Citadel – and they rebel explicitly against this treatment with the repeated line “We are not things” – the film also balances this treatment of its female characters by making it clear that men are also used as objects. Max himself is literally used as a living blood bag for part of the movie, and though the “warboys” might initially seem to have higher status than either Max or the wives, it’s clear that they are, in fact, regarded as nothing but cannon fodder by the higher status men. As The Verge points out, “When [warboy] Nux encounters the “wives,” they’re the ones who end up trying to help him — not because of women’s civilizing influence, but because they already understand how rigged the system is.”

Aside from the refreshingly feminist themes of the film (bonus points for the subtler environmentalist messages as well), the action scenes were also fucking incredible. The movie is essentially an extended car chase and it reaches new and impressive heights in the art of controlled chaos. As Unfogged points out (I recommend the whole post, which also includes a funny smackdown of the MRA boycott of the film):

The new Mad Max movie may be the most guy movie ever made. The plot is literally Tom Hardy (Mad Max) and Charlize Theron (Furiosa) rescue scantily-clad supermodels. If you asked me when I was 15 to list movie ideas, the list would have gone something like: scantily-clad supermodels, 18 wheelers, guys getting shot, guys getting blown up, fist-fights on top of an 18 wheeler, guys with chainsaws, guys getting run over by 18 wheelers, guys with guitars that shoot fire, and cars crashing into 18 wheelers and blowing up. This list is basically the script for Mad Max: Fury Road. The only thing missing is a helicoper piloted by velociraptors crashing into an 18 wheeler. But there’s always the chance of a sequel.

Though probably not to the degree of a 15 year old guy, as a woman with a weakness for the Rule of Cool, this is the sort of movie that makes me really wish I had design skills – any design skills – because my god, does it look like the design team had fun. Kudos on the awesomely spiky demon cars in particular, though the flame throwing guitar should not be overlooked. The cinematography was also stunningly beautiful, especially the scene as they’re racing towards the dust storm.

On the less pleasant side of things, there was some pretty gross body horror stuff, which is largely what originally turned me off the film after seeing the trailer. I don’t handle body horror very well at all, and there were a couple scenes that made me cringe and hide behind my hands.

Other than that, my only complaint about the film was that there were some poor music choices. Mad Max: Fury Road has relatively little dialogue and a couple of the few scenes with anything approaching a monologue had rather melodramatic music that made the lines seem way more on-the-nose than they would have with something a little subtler and more understated.

The lack of dialogue does, however, give lots of opportunities for some pretty impressive acting with body language and eyes, something I’ve become more attuned to since being bowled over by Sebastian Stan’s work in Captain America: The Winter Soldier. Both Hardy and Theron are equally impressive here.

Overall, one of the best action films I’ve seen.

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My rating: (4 / 5)

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